“Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement.” In T. Jeffreys (Ed.), Walking (Documents of Contemporary Art). (London, UK and Cambridge, MA: Whitechapel Gallery and MIT Press, 2024), 34-42. (Reprinted extracts from New Thoughts on the Black Arts Movement, by Lisa Gail Collins and Margo Natalie Crawford, Eds., 2006, New Brunswick: Rutgers University Press, 210–226).
Read More“Collaboration: Nikki S. Lee.” In A. Azoulay, W. Ewald, S. Meiselas, L. Raiford, L. Wexler (Co-Authors), Collaboration: A Potential History of Photography. London, UK: Thames and Hudson.
Read More“Follow the Figure: Cauleen Smith Confronts Land Art,” in Humans: Terra Foundation Essays Vol 6. (Chicago: University of Chicago Press).
Read More“Charles Gaines: Interview,” in Charles Gaines: Palm Trees and Other Works (New York: Hauser and Wirth Publishers, 2019).
Read More“Homage to Sterling Brown (1972)” and “Interview with Edmund W. Gordon and Edmund T. Gordon,” in Charles White: The Susan G. and Edmund W. Gordon Gift to The University of Texas at Austin, edited by Veronica Roberts (Austin: Blanton Museum of Art and Tower Press, 2019).
Read More“Good Fences, Good Neighbors: Rodney McMillian’s Takes on History,” in Rodney McMillian: History is Present Tense (Austin, Texas and Santa Fe, New Mexico: The Contemporary and Radius Books, 2018).
Read More“Bittersweet Blackness: Humor and the Assertion of Ethnic Identity in Eleanor Antin’s Eleanora Antinova,” in No Laughing Matter: Visual Humor in Ideas of Race, Nationality and Ethnicity (Dartmouth University Press, 2015), 242- 269.
Read More“Under Duress: If Everybody’s Work is Equally Important,” in LaToya Ruby Frazier (Nimes, France: Carré d'Art-Musée d'art contemporain, 2015), 30-37.
Read More“John L. Warfield Center for African and African American Studies Collection” in The Collections: The University of Texas at Austin (Austin: University of Texas Press, Tower Books, 2015).
Read More“What is the Relevance of Museums? Can you Imagine a World Without Them?” in Beyond the Turnstile: Making the Case for Museums and Sustainable Values, edited by Selma Holo and Mari-Tere Alvarez (Lanham, MD: AltaMira Press, 2009), 44-48. Co-authored with Gary Matthews, Jr.
Read More“Glenn Ligon,” in Blanton Museum of Art: American Art since 1900, edited by Annette DiMeo Carlozzi and Kelly Baum (Austin: Blanton Museum of Art), 174-175.
Read More“Moneta Sleet, Jr. as Active Participant: The Selma March and the Black Arts Movement,” in New Thoughts on the Black Arts Movement, edited by Lisa Gail Collins and Margo Natalie Crawford (New Brunswick: Rutgers University Press, 2006), 210-226.
Read More“Moneta Sleet, Jr.” in African-American National Biography (Cambridge: Oxford University Press).
Read More“In Black and White: The Construction of History and Meaning in Civil Rights Photographs,” in Let My People Go: Cairo, Illinois 1967-1973 (Carbondale: Southern Illinois University Press, 1996), 81-94.
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